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Issue 1 | Spring 2024

The Lenses Of Perception
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Our contributors

Abhiram Konakondla
Nabeeha Mudassar
Laura Manson
Kayla Misa
J.A Lau
Abhiram Konakondla
Anshi Purohit
Maya Collins
Emalie Marquez
Kai Springer
Megumi Jindo
Mia Grace Hicks
August Jenkins
Leon
Jamie Concha
Samawia Mushtaq
Isabelle Perret
Emma Barron
Grace Halls
Juniper Elder
Claudia Wysocky
Abigail Addae

Cover art by Maya Collins

Letter From Our Editors-In-Chief:

Dear Readers,

 

    There are so many beautiful words to describe the enthralling experience of watching the Alexandrian Review’s first issue breathe into life that we do not know where to start. Literary magazines, published pieces, and pretty names have always been a dream of ours, and even now, it is hard to grasp– to believe that we can now celebrate our spring issue into the world. We find that the “Lenses of Perception” is a fitting theme for the starting point of our magazine– one of interpretation, creativity, and experimenting with unknowns. With our mission to advocate for and amplify the voices of marginalized and underrepresented communities, we chose the theme that we hope would allow for diverse perspectives through the different lenses of perceptions. We hope that through pieces such as“dear syringa”, containing well-woven and inspired allusions aside magnificent symbolism, along with eloquent and well-chosen language, or “Co-Dependent”, which interweaves masterfully-crafted and breathtaking imagery, utilizes careful structure, and has an admirable and impactful style and voice, that you, dear reader, were able to, even in the slightest, feel seen or represented the way writing these stories allowed our contributors to feel that their voices are meaningful, their experiences are real, and that their stories are valued to be shared with the world.

 

    We cherish this first issue incredibly so, as well as all of the 3-hour meetings, hundreds of texts, excited squeals as we watched the number of submissions tick up, dropped jaws at the breath-taking cover art submissions that we received, tears, joy, pain, perseverance, and hard  work that made this publication possible. We would like to thank our family and friends for supporting our initial spark, spreading the word, cheering us on as we faced various challenges in different stages of publishing. We would like to thank our contributors, who entrusted us to amplify and showcase their voices and stories the way they deserved to be told: to the world. We would like to thank our team of editors and graphic designers who were vital players throughout the entire journey, and finally, we would like to thank our readers for your support, as well as for taking the time to appreciate and enjoy such raw, beautiful, and important words whose voices deserve to be heard.

 

    Starting a literary magazine from scratch was deceptively difficult; never had we been exposed to a candid summary of the hours, grit, and determination required to get our goal off the ground. However, once we began, we couldn’t stop. We want to take the time to thank everyone who sent kind, supportive emails, or messages on social media. The writing community has always been a safe place for us, but we admittedly realized how little we had immersed ourselves into it. Starting this project expanded our horizons, exposing us to people across the world (people from thirteen U.S. states, eleven-plus countries, and five continents, to be exact). While it was exactly our mission to publish voices from so many communities, we were overjoyed to see that our efforts were being met with success. Thank you to each individual we encountered along this journey who welcomed us with open arms. Subsequently, it is our hope that The Alexandrian Review provided a space for each aspiring writer to familiarize, re-introduce, or further involve themselves with the writing community. Both Issue I and this letter are dedicated to each writer who reads this, no matter which part of the map they can be found on. Our message is this: it is possible. We understand deeply the necessity to fight tooth-and-nail in a world in which writing is an underappreciated art. Our consolidation lies in our proof— this publication serves as evidence that your goals do not have to become void simply because others do not share your passion. Keep wanting, keep wishing, and most importantly, keep writing. 

 

With all the love in our voices we hope will be heard,

Co-Editors-In-Chief Premmy and Camila

Embodiment

By Abhiram Konakondla
Poetry

Born; waking up in a thrown together nightmare

One illuminating beam, round shaped pearls in a necklace

Bloody windows of glass shattered, leaving dusty air

What a life one lives, nary a choice, reckless-

 

Abandonment, comforted by thought

Atonement, pondering what lies

Abysmal, hopes rot

Appallment, cold water, that crystallized

 

However warmth races down my heart

The one who was always by my side

Mother of mortality, the work of art

Personified serene waterfalls, Personified life, green eyed-

 

Is on the swing, Oh the holy swing!

Gold ichor visible from eyes of shine

“Kneel before me, taste and Cling!”

Is ebony a color of the divine?

 

Betrayed; your beliefs

Trapped in the ghastly, sheened knives

Black sharp glass peeking out of leaves

The trusted, now the stealer of lives

 

Embodied, lover of the dead

Embodied, trap of the soul

Embodied, a poisonous lead

Embodied, a beautiful white bowl

 

A fleeting joy!

A romantic love!

Become a whipping boy!

Become disposed of!

 

Murdered in cold blood-

Through and through, rashly Embodied-

dear syringa

By Nabeeha Mudassar
Poetry

you are 

a winter morn, 

peaceful and quiet 

but cold to the bone 

a lilac sprig, 

eternal wrath of Pan 

you are a shower of petals, 

a radiant blessing 

​

i am 

but a sunflower 

i lap up Helios's offering 

by mouthfuls 

i am ardent to the core 

a faithful dog 

you maim my very stalk 

and still, i turn to drip blood at your feet 

​

you are Cupid's arrow 

aimed at my very being 

Aphrodite does not scare me 

(i do not see) 

i only bow to the twin archer 

and yet 

​

your petals glimmer, pure and naive 

(i do not see) 

Helen of Troy holds no candle to you 

(i will not see) 

your heart screams poems no one comprehends (i should not see) 

an ode writes itself 

​

oh dear Syringa, 

to Apollo's side, i must return 

and you, my forever banished beloved 

you tie your heart to a stake that will forever be on fire oh dear lilac, 

i am not meant for love 

a sunflower's fate sustains

i am Icarus and you knowing you can never be the sun become Lincoln, crucified 

​

you are a 

winter morn 

where no flowers bloom 

except a single sacred 

daffodil 

(i see) 

alight on the horizon 

a lilac’s dying wish

About the Author

A seventeen year old girl from Pakistan, Nabeeha has been writing from the very first moment she learned how to pick up a pencil. Various books, poems and stories pay tribute to her life. Her hobbies include reading, crocheting and swimming.

Co-Dependent

By Laura Manson
Poetry

vine loops round tree, hugging till soft strokes wear down thick  bark / indents left, mapping  something symbiotic where you  give what you get / when did you  begin to overstep? they said  kindness kills, but so does this /  is it leeching to take something  freely given, and if so, who’s to  blame? / tree falls, holding close  to what could’ve been  would’ve been a friend / bird’s  eye view shows thriving green  hiding peeks of crumpled brown  till moss covers gaping wounds  healed by a parasite, and ruined  by one too

About the Author

Laura Manson is a senior in high school with a strong passion for writing & poetry, expressed on her Instagram page, @writingtiips. Through this venture, she shares advice & snippets of her work. She has hosted Mayday Poetry annually since 2022, in turn supporting and promoting other emerging authors. Laura aims to continue to develop and share her work, while producing education resources for other creatives. When she isn't busy writing, she enjoys reading, baking, and listening to music.

fried softshell crab

By Kayla Misa
Poetry

look at this royal spread. 

succulent and flush. such full and tender 

pieces, tasting of the sweetest meats and the 

tang of the sea. 

the most brilliant crimson stands against the 

ivory plate juxtaposed like blood staining the towel 

after the first night 

​

buttered flesh falls apart, melting away as it 

lands on my tongue, mixing with the garlic 

rice on my plate 

the chef’s love is splattered tastefully across 

the plate. 

the ambrosial sauce divinely caustic. it

cuts through the richness, a blend so 

perfect 

​

i can’t find a fault. 

in the heat of the moment i swallow, and my 

mind is plunged in a sea of emotions. how

much more can i take? how will i be 

perceived by the others that watch me eat? 

why should i care when I eat, or how I eat?

the questions shift to when will I be full? 

can i finish this? give me more, i beg of 

you. 

​

but, 

it should not matter. 

​

​

i earned this. 

i deserve to indulge myself, when i please.

About the Author

Kayla Misa (she/they) is a Filipino author from Los Angeles, California. She is a Senior Accountant for Warner Brothers Discovery by day, but an avid artist by night. Their freeing love for art is juxtaposed by analyzing variances and creating forecasts. When not writing or crunching numbers, Kayla can be found strumming the guitar, bowing on the violin, or sketching. They have been previously published in The Palouse Review, The Peahce Project, and featured in Power Poetry’s 2020 annual anthology for upcoming writers. Kayla is also a current collaborator of the non-profit organization, Girls Write Now.

happy poem

By J.A Lau
Poetry

to be a butterfly 

              falling from a cloud 

              or a saintly buddha 

              breaking into pieces 

​

to be a lonely island paved 

              with dried, crunching leaves 

              in a lake of frost 

              in the air’s swirling sorrow 

​

every leaf that falls 

              does not stop falling 

              every leaf that falls 

              twirling and dancing 

​

in a blue castle 

              a red tornado 

              in that moment 

                i am a waking soul 

                                              breathing 

                                                                          alive 

what is the world anyway 

              but a lover for the wind to kiss 

              or a wound for the rain to heal the chill of a                       precocious winter gust 

​

like blades straight to the ventricles 

              skeletal cypresses

              tonight they are silent 

              waiting, waiting 

​

for an arrow to strike its branches 

​

shall i dance on the banks 

              of the ilisos? 

              let me revel in 

              the glory of boreas 

​

i’d gladly submit myself 

              to prisons of smoky cumulus 

              if icy scythes show me 

              there is a beauty 

                                                        in f a l 

                                                                      l i n 

                                                                              g a p 

                                                                                         a r t

About the Author

J.A Lau is a high school senior from Hong Kong. Having written externally for literary magazines such as Gypsophilia and The Mersey Review, he was also appointed as his school’s student poet laureate in 2023. Furthermore, he has co-written a play “Redemption Arc of a Wasted Soul”, which won Best Original Script at the 2023 Hong Kong School Drama Festival. Currently, he’s serving his last year as editor for his school’s annual literary anthology — The Ripples. Outside of literary work, he is a big fan of music, and you can often catch him hanging around the show venues of local bands. If not, he’s probably holed up in his cozy room, playing music of his own or watching a good film.

Green Fools

By Abhiram Konakondla
Poetry

Orange splintering like gaps in gaping lives

Reddish spears broken from drifting pacers

Why can’t one wonder how it thrives?

Even with fallen infants humiliated by gun tracers

 

Now, a forlorn stump sat stagnant in the corner

Heavily darkened by battle scars, with pincers protruding from its skin

It’s time has come, but there will never be any mourners

As a bloody crimson streak etches across its torso, much to its chagrin

 

A saw smeared with blood,

Hinges onto the fallen remains

Orange, yellow and red, covered in mud,

As footsteps press, showing the weight of chains

 

The responsibility of the Mortician

More so, the reality of being a murderer

The real question lies, What was its real ambition?

Did it live to die? Was it just a wanderer?

 

Truth speaks so, “My love! Men die once.

However, trees are deathless.

Just like ornate blades that are blunt,

It fades, but never breaks, never going breathless.”

 

A man of fire sees “snuffed” lives

Clearing thickets of love with a flame

Leaving behind colors of bloody knives

But the executor has never felt any shame-

 

As more regrow from the ashes of reddened wishes

Green fools brimming with hope rise in wait

Obviously oblivious to their eventual fate.

communication is an ocean of wire & sourspicy chicken

By Anshi Purohit
Fiction

             It is always more than the soreness. I stare at the plate of food stained by the visible aches I pull over my face, remembering how this is the foundation. Life is made from botched attempts at discovering normalcy. When one begins to love, they are forced to enter the cycle of falling out of love as a failsafe to bruised hearts. 

             A nurse smiles at me on my way out of the clinic— give her some ibuprofen when you get home. I am beginning to live out of a suitcase of bandages & bad dreams. My family nods while I sigh. 

             In said suitcase, I have a remedy for everything except communication. I am struck upside the head by the suitcase’s leather shell. My voice twists itself into knots, consumed by mouth sores and impatience. In said suitcase, I hold unlabeled pills in my hands, wishing for them to morph into something tangible or measurable. That something being progress. Instead, remedies remain stubborn pills perching with menace festering between their furrowed brows. The pills in my suitcase are prepackaged in one color and the color stains my teeth, marking me as yet another girl fallen prey to superficial standards. 

More than the ache, it is the lingering pulse that plagues me. I begin wafting sourspicy chicken in my dreams, the delicacy melting on my tongue as I learn how to dissociate.

The pulse attacks without warning, metal winding its way through my mouth so I cannot talk without a triad of wires slicing into my cheek. It is always more than returning to the orthodontists and pleading for them to straighten teeth; all I’ve ever wanted was to straighten my syllables and fix my voice. All I’ve ever wanted was for the nurse to hand me a prescription for finding myself. 

             “Something is missing,” the doctors said when I first approached them with my mangled inner mouth a few weeks ago. My skin was beginning to dangle and the feeling sickened me. I didn’t go to the orthodontists that time: I had traveled to a fancy building with white walls and brazen halls, experts in long lab coats with language wrapped around their ramrod procedures. 

             “My molars?” I slurred with lolling eyes, the words melding together in my mouth. My morals? “They haven’t grown in yet.” 

             The robed doctors tsked, tapping their pens against my cheek, striking me like the thunderclaps my mother ignited between her eyebrows, contorted crease lines burrowing into her skin when I widened my mouth. She always told me I would grow into someone more controversial than she would bother handling. Of course, the wires were the problem. My stubborn voice and fragmented, unsatisfactory syllables were too stressed. 

             Over the course of several weeks, the doctors ran tests on the roof of my mouth, monitoring progress with metal devices that ground my teeth into the soft flesh of my tongue. Once again, the nameless doctors surprised me. I still managed to surprise myself with my ignorance. 

             “You. You’re missing. That’s the problem.” 

             My parents refused to pay the examination fee and marched me from the white building by my shoulders, strapping my stick-thin wrists to their chests. “Stop surprising us,” they wheeled on me in the parking lot, tall shadows stretching on thin branches like molting

caterpillars who abandoned their metamorphosis for a disadvantaged, earlier taste of life. “We’re going through a hard year without your nonsense.” 

             And my parents were right; I was more aware than they could have known but I croaked, desperate to make myself known and overcome the monitors isolating my tongue and spearing my speech. I waved my arms in the air like spindles and bobbed for apples in their oceans, searching for gestures and the right articulations for my words. They left me a rattling car and a grocery list, tapping their feet to my stuttering. 

             Now, one orthodontist and emergency clinic trip later, my gums are more numbed than cured. 

The secretary reminds me to smile on my way out, but my condition is always more than being an introvert drowning in a sea of solitude. At sea, drowning is an escape, not a form of surrender. I cannot identify whether my baggage is weighing on me or if I cast aside my bulbous parts by entombing them within the buckled straps. 

             The suitcase burdens my peripheral vision as it presses into my skull, and I can’t look over my shoulder to see whether my family is still slogging behind me. 

             One day I will stop looking behind me. One day, I will only have sight for the stained linoleum squares counting off before my terminal. At the gate, I will hand them my ticket with confidence and the blaze in my eyes will be enough for them to let me pass through. The wall driving us apart won’t exist, when I learn how to travel from my suitcase, to travel with the pills slipping through my palms 

It is all an illusion, an act to convince myself that I am in control of where the stilted future leads me. It’s all a distorted fantasy, believing that one day I will be able to clip a rainbow keychain onto the zipper of my baggage and watch it pass through the security checkpoints.

About the Author

Anshi is a high schooler from Maryland who has work published or forthcoming in literary magazines such as the Eunoia Review, LEVITATE, and Mobius Lit. She has published two books, was recognized by the Scholastic Art and Writing Awards, and has been nominated for Best of the Net. When she’s not writing, she enjoys reading while drinking (too much) boba and listening to music.

Someplace With A Book

By Maya Collins
Poetry

Where are you? Perhaps 

Alone in some bookstore. 

Perhaps on a train. 

By a fire. In a crowd. 

​

I suppose I know where you are.

Lodged between edges of black

Words on white paper. Flappy book,

You flit between its pages, 

Rest on one of your favorites. 

​

Where are you? Perhaps in 

A sky full of thick black darkness

Being pierced by a million bright

Things called starlings. 

And perhaps you are inside some

Childhood bedroom, remembering

Somebody’s lost things. 

​

It doesn't matter really, 

I only asked so I could wonder

About the places that you might be.

The dirty floors and tiny stores

And magical made up worlds. 

​

I suppose it only matters that You are

wherever you are. That Most

 

importantly, you’re holding her.

About the Author

Maya Collins is a passionate artist with a rich creative background. She was born in England, lived in California, and now resides in Pennsylvania. Having traveled widely, she is continually inspired by multicultural and urban settings. She was introduced to the art world through the California en plan air community, but was ultimately captivated by the intensity and nuance of abstract painting and installation. As she continues to explore new media, she is likewise concerned with the technical foundations of visual art. She is a freshman in college and currently works at a local design studio.

Five Minute Walk

By Emalie Marquez
Poetry

The school is a five minute walk from my home but that is only what they see. They have not walked the streets I walk, they do not see what I see. 

The closest school is a five minute walk. 

Yet, the closest pillar of education, a decaying testament, is labeled "janky" and “ghetto”. Boys traverse its halls seeking drugs while girls navigate its corridors— pregnancy awaits. A low graduation rate echoes through its forsaken walls, a dissonance that reverberates, unheeded by indifferent students. Apathy is what is passed down from a faculty of unconcerned mentors. 

 

The closest school is a five minute walk, but every minute, there are two bullet holes— tragic punctuations etched into the steel carapaces encountered. 

Each minute, three gunshots punctuate the air, or four firecrackers? 

Just tell the difference. 

Clench the backpack's sinews with determined fists. Gaze: a vigilant sentinel surveying a volatile horizon, ensuring to not be claimed by the shadows before the first bell's clarion call, defiant against the fate that ensnares the missing girls inked into headlines. 

​

It is a five minute walk, but each minute is a year. They think five minutes is easy— quick. But I have seen more things in five minutes than I have in my life. 

 

The closest school is only five minutes away, but it is a protracted odyssey. Step over discarded bullets, and those empty bags that are tainted in the alabaster hue of substances. Then step around the dreams crushed beneath the indifferent pavement and around the whispers still lingering from those who could not make the five minute walk.

About the Author

Emalie Marquez is a 15-year old Illinois-based writer who was born in Des Plaines before moving to Chicago, then to Arlington Heights. Her writing draws inspiration from the journey of her upbringing, infusing her work with an exploration of injustices faced by minorities.

Her pen has always remained in motion, ceaselessly confronting and exploring the experiences and issues faced by both herself and those who share her background. You can catch her always never understanding chemistry, in the orchestra practice room, or playing on the lacrosse field.

The Mirror that Reached the Floor

By Kai Springer
Poetry

The mirror was long, reaching the floor
I followed its gaze up and down and up again
What I saw was odd a strange sight to behold
Like a flower full of petals in the tight winter cold


For I saw someone who was old and decrepit
Someone that passing on the street you’d never see again
Like the old hag in the stories that poisons the princess
So the hero can come swoop in as the protagonist


Gone were my days of frivolous youth
Where I lay in the sun for hours never moving
Now in my mirror, I stood staring at my old body
Ageing and dying like an old withered poppy


But when he sees me he says different
That I’m even more of a beauty than before
What I call decrepit he calls a happy life
That he never regrets having me as his wife


He takes me from the long mirror where I stood
And we danced across the floor to our song
We tripped and were nowhere near smooth
But the dancing and laughing brought me back to our youth


When we stopped laughing and dancing ‘cross the floor
He led me over to the mirror to look again
What I saw was different than what was there before
Now I was as young and beautiful as the woman he fell for


For without him, I am old, nothing more than a sac
Ugly and gross, a hag for the mirror to laugh at
But when he’s here, we are young and joyful
Forever beautiful in front of the mirror that reached the floor

About the Author

I’m a sophomore in Highschool and have been writing poems since seventh grade as well as stories for as long as I can remember. Besides writing, I enjoy riding/training horses, acting, and drawing. I love animals of all kinds and love posting about my art and horses.

RUBBLES & ASHES

By Megumi Jindo
Poetry

what was the cost i wonder 

the riot             the wreckage              the waters 

​

what was it all worth i wonder 

the escape              the love              the voyage 

​

you took it upon yourself to cleave the world in half and now you’ve set it ablaze

are you happy now              are you better now              are you blistered now 

​

you stood in the ashes and you glared at the world that made you become a demon

you glared              you stared              and then you blanked out

 

what was it like to cross the caves and burn it down i wonder 

it broke              it leapt              it cried 

​

what was it like to hate and tear it all down i wonder 

it shred              it laughed              it blanched 

​

you wanted to have someone to hold you, whisper the end to you: that was all you wanted they shook              they gossiped              they mimicked a maimed girl 

​

you wanted to be someone, listlessly declare i am enough to you: that was all you needed you broke              you shivered              you choked the remnants and bit back 

​

what was it like as you forced out your last words i wonder 

fondless              fumbled              flustered 

​

what was it like as they shoved your breath down and proclaimed they owned you i wonder no, i don’t wonder              no, i don’t want to know              no, i don’t need to know 

 

I AM WHAT THEY MADE ME.

About the Author

Megumi Jindo is a spoken word poet and an upcoming college freshman at Swarthmore College. She has been published in various places and has received numerous awards. You can find her pumping to music, taking pictures of nature, or pensively thinking with the stars.

I'm Almost Me Again

By Mia Grace Hicks

Poetry

When I look at an old picture of myself I do not connect that person as being me.
It’s strange, but I’m not her.
But I am them.
Not the same person, but intertwined souls.
We are conflicting spirits.
There is constant bickering about how her soul can not be seen with mine.
She fights to escape.
She is gone though.
Laid to rest in an eternal field of daisies.
She wanted to take me with her.
I declined, but promised to meet again someday when my contract is up.

About the Author

Mia Grace Hicks is a high school freshman residing in Illinois who is fairly new to writing poetry, but extremely excited to learn more about themselves and the world around them through the art form. When not attempting to explain how the tint of their lenses of the world appears they enjoy reading, knitting, cooking or baking with friends, and drinking cold brew.

birdwatcher

By August Jenkins
Poetry

sometimes i watched flocks of women. 

the way they communicated, alight off little looks and spinning thread from small expressions; it was so completely alien to me. 

i wanted like nothing else that apparently innate understanding; the understanding that the other understood. the solidarity and comradery that made them whole. 

and yet every time i tried— and i tried— 

tried desperately to connect to them, to untangle this complex, ancient language that was supposedly mine, too— 

it was like i was an impersonator. a poor actor memorizing stage directions. they saw right through me. 

to what, i have no idea. maybe they saw it wasn’t natural. that i was playing a character; an uncanny archetype of femininity. i was not a part of the club. 

i am not a part of the club. 

​

sometimes i watch flocks of women. 

i watch them walk places together, i watch them laugh and smile and cry on each other in bathrooms at night. 

i wonder how it happens; what they did to achieve this. i wonder how many times they blinked or when they looked away in conversation. i wonder what tone they used and how they tilted their heads. 

 

sometimes i watch flocks of women; 

i watch them like a reptile watches birds at dusk; the next stage of evolution that i will die before reaching; 

something beautiful and familial and kind. 

i look up and see them flying in lines, steadfast across the sky. they look happy. i am momentarily content; 

i slide back into the river.

About the Author

August M Jenkins (he/him) is a high schooler from Franklin, Tennessee, who has a passion for all kinds of art, particularly literature and filmmaking. Through his writing, he explores viscerally his intersecting experiences of being transgender and autistic. He aspires to work in the visual or literary arts.

nature of femininity

By Leon
Poetry

my last act of femininity. even when doused in perfume, the flies will still come for the rot underneath it. the wiggling maggots digging into my neck, my own set of pearls. even in death I pray to be beautiful.

“Ilaw”

By Jamie Concha
Fiction

When I was younger, everything seemed so bright. Everything shined, not harshly like the sun but gently, like the full moon. This brightness enveloped everything around me, in everyone I saw and in every situation I was in. The light was such a normal thing, I was never without it. I did not name it. It was just part of nature– of everything

​

During my preschool graduation, I wore the best pink dress I had. I smiled widely as I went up on the stage confidently and accepted the award. After I stepped off, I gave my best friend a necklace and she hugged me in gratitude. The light shined so bright. 

​

At my new school, in first grade, I didn’t know anyone but that did not stop me from asking every single kid in my classroom if they wanted to be my friend. Most of them said yes, like any logical 7 year old kid would do but one kid shined the brightest when I asked him. And he continued to be a light next to me even eleven years later. 

​

I had a grandmother who I wasn’t blood-related to but she treated my light so preciously. She loved me, and I loved her. She lived her life to the absolute fullest, with no regrets and only valuable memories. So, I wondered why everyone else dressed in black when I wore a white dress. She still shined brightly to me. 

 

Something about me is that I love old things, antiques and things that could possibly give me tetanus. So, when I was fourteen, my (real maternal) grandmother gave me a vintage bronze telescope. As a devout well-behaved child, I treasured it and always kept it with me.

However, the telescope must’ve been really old, maybe even broken, because when I looked into it everything seemed dimmer. Most things lost their lustre but I didn’t complain. 

​

Then, even after I took my eye off the telescope, things were still not as bright as before. I realised that everything was always like this. Dark and gloomy. Realisations coursed through me rapidly and unapologetically. Realisation number one, my family isn’t as perfectly good as I thought it was. Two, I will lose most people I know. Three, life genuinely sucks. 

​

Still, I searched for that light, believing it was still in everyone. I repeatedly looked through the telescope again but it wasn’t any help so I looked with my own eyes. 

​

I have a teacher. He’s like me in so many ways. He covers up all his sadness with hyperactivity and jokes yet he’s still emotional and comforting. He’s shared a few things about himself but a small telescope looking into the window he opened up to us, his students, has already given me a full view of his life– and it was not an easy one. Yet, he manages to be so happy

​

Ah. I think I’ve been too focused on getting rid of the dim stuff to realise that the light could co-exist with it. Actually, it always has been. It shined when I hugged my pre-school best friend even though I knew we’d never see each other again. It shined when my best friend actually stuck to his promise of being my best friend. It shined when my grandmother passed away. Hope was the name I forgot to give it, and it radiated everywhere. 

​

(“Ilaw” means light in my language, which is tagalog.)

About the Author

Jamie Concha is a junior in highschool from the islands of Philippines. She loves writing above all else and aspires to be a journalist with a long-term goal of one day publishing her own novel.

A Dream

By Samawia Mushtaq
Poetry

Today I awoke with a thought in my mind,

And a thirst in my heart, a vision I find.

I saw you there, with a glass of wine,

Looking at others, claiming them as thine.

 

But deep within, my heart, it pined,

“My dear love, my soul isn’t mine.”

Then you came to me with a smile so divine,

I took the glass from the hands of thine.

 

My heart sang, your song, a wondrous sign,

And started revealing the story in the moonlight’s shine.

About the Author

Samawia Mushtaq is pursuing a Bachelors degree in English. She likes to read and write. She started writing in 5th class about her daily routine. She is interested more in reading than in writing now. But sometimes she writes poetry. As far as reading is concerned, currently, she is reading Verity by Colleen Hoover.

Beauty Of The World

By Isabelle Perret
Fiction

I walk to school in the cold crisp air of November. The cold nipping at my cheeks, the crunching of the leaves below me, the wind blowing my hair slightly. Most people hate the cold months and wait around for summer to come. Personally, I love all seasons. They all have a different feeling; spring is the feeling of new beginnings. The way the flower buds sprout up from the ground, leaves returning to the trees, the sun shining brightly, the colours that we missed during the winter days. Summer is the feeling of freedom, no school, the world is vibrant, spending the days at the beach, drowning ourselves in slushies and ice cream. Fall is the feeling of coziness, bringing out your big sweaters, the taste of pumpkin spice, the leaves turning a warm orange. Winter is the feeling of family, the excitement for the holidays, warming up by the fire, snowball fights with friends.

I think people forget all the great things each season brings. Nowadays everyone is so busy, no one just stops to admire the world. To take a moment to look at the things around you, watch the world pass by you. When you see the sunset, take a minute to observe the colours and wonder how the earth could create something so beautiful. When you’re driving in your hometown, take in every detail because one day you won’t return. Life to too short not to take in the beauty of your surroundings. I continue walking to school. The orange leaves fall with the breeze, landing on the damp ground. I look up and see a flock of birds making their way south since it’s getting colder, I wonder where they go. I look around at other students walking, most of them have their heads in their phone or talking to a friend. I wonder if anyone else around me sees the world like I do. Do they wonder about small details about earth? Do they ever stop to observe? I hope they do; it makes life worth living. We are given a planet with such beauty, and it deserves to be appreciated. At least that’s what I believe.

About the Author

Isabelle is 16 years old and has loved to write ever since she was little. She hopes to publish a book or two in the future. Apart from writing, she loves theatre, singing, reading, and listening to music. Her all time favourite book currently is Radio Silence by Alice Oseman.

My Roman Empires

By Emma Barron
Creative Non-Fiction

The New York Times defines someone’s “Roman Empire” as “the topics one contemplates in

private more than anyone realizes.” I have my own “Roman Empires” and each one is a

representation of how I appreciate and perceive things uniquely. These “Empires” are an odd

way to wrap your head around who I am and what I offer, but they are what make me who I am.

 

The smell of books. I have synesthesia, a disorder where all of my senses are activated at once.

I appreciate the smell of a new book, experiencing it in a way that makes me feel like I am

consumed entirely, as it shifts all my senses at once. The scent triggers a feeling of warmth

throughout my entire body and I am taken back to my childhood, replaying the stubborn, slippery

sound of my mom turning a page when she used to read to me. My ability to experience things

this way is almost like a superpower. I have unique opinions and a deeper appreciation and

understanding of life due to this “disorder.”

 

“You will always be the one that loves the strongest in your relationships.” My mom said this

in response to me when I explained how rejected I feel when people don’t love me as much as I

love them. She explained that I feel too much, but that makes me beautiful. She is right. I struggle

to draw the line between anger and burning; sadness and shattering. Even when I feel nothing, I

feel it with everything in me. However, this makes me a poet. I have a perspective and

understanding of emotion that gives my poetry depth and value.

 

The hand scene in Pride and Prejudice. I often replay the scene in my head where Mr. Darcy

and Elizabeth touch for the first time. As Mr. Darcy helped her into her carriage, I felt the

romantic tension and understood that they then developed feelings for one another. When

experiencing this moment, it felt as if everyone else vanished. The simplicity of the gesture was

more romantic and memorable than any kiss or word they’d said to each other and was most

beautiful because nobody tried to make it look or feel that way. It just simply was. Out of

innocence and sweetness. My love for this scene exemplifies how I find beauty in simplicity.

​

“You and your Mother Earth.” My mother said this to me when she attempted to get my

boyfriend to let a balloon fly off into the sky and I did not let him. I did not let him because my

thoughts were focused on the possible danger to the Earth. My passion does not stop at

preventing the earth from being harmed but I also love to give back. I have started a group in my

AP Environmental Science class and chosen a plot at our school to revive. We have turned it into

a water garden and planted a myriad of flowers. I often think about my mother saying those

words to me and I interpret it as a compliment. I more than just care for the earth and am sad for

the places that are suffering, I am excited to find them and help give them life.

 

There are a plethora of others, such as Sunshine on white, linen sheets, Jeff Buckley lyrics,

vintage French films, “The Dance” by Matisse, and my wall print that says “Make people touch

and taste and know. Make people FEEL! FEEL! FEEL!”

 

I often think about these experiences and parts of myself. I know that I have more to come, as we

are always changing and evolving and we are never the same person we were, even just ten

minutes ago. However, my current empires will lead me to my future goals and help me build

something beautiful.

About the Author

Emma loves to pick out the little pieces of life that get hidden by the bigger things and help their light shine. Her poetry and her other pieces strive to do this. She hopes that she can help you see the beauty that is your life and help you appreciate all the things that are quietly pretty, reminding you that they are there. Thank you!

Keep It Down

By Grace Halls
Poetry

I think I can throw myself up. 

​

Get back to bones and work out myself. 

Although I wouldn’t fit anymore like when I was a kid. 

​

Flying over rocks I feel the most me. 

Mainly because that forces me to be someone for the obituary. 

​

Wishing I could play catch with hugs, 

But I flick pencils at your head, so the yells prove I’m real. 

​

Every photo in the recycling bin and don’t take anymore to not waste ink. Its easier to stain them in my mind and live sustainably for others. 

​

Putting my hand up and actually being asked, 

But replying with a no comment, like my opinion is worth too much criticism. 

 

Fighting myself until you can’t believe what my black eye’s from. You’d say I’m a violent person but my high fives seem to be fights to you. 

 

Volunteering for trips outside this city, like I can run from me. But everything will be a stone’s throw away in my heart. 

 

Not kicking soccerballs back to boys, even after they’ve hit my head. I can’t see enough past my inability and their laughter does more brain damage. 

 

Aware I’m telling fairy tales to myself in amongst a group. 

Giving up on writing ones where they’re anywhere near the happily ever after. 

 

I’ve done this enough that I don’t have anything left to grow with. And even my mother makes me stay home. 

​

My brain and rib cage is nauseous, 

But one day I’ll come up and off everyone’s tongues. 

With a lift of the tongue and a lift of the spirit. 

Then fall onto a young and prospectful page.

About the Author

Grace Halls is a tenth grader from Western Australia. She has been published in Atomic Form, Moonbow Magazine and The Young Writers Ring. She is also an editor for Wonderful Nonsense and Promised Protagonists magazines. Grace enjoys crocheting, classic books and spending time with her friends.

Bed Of Stone

By Juniper Elder
Fiction

I’ve seen it all from my bed of stone. 

​

I’ve seen people shatter mere feet from where I lay. I’ve heard their pleas and cries. The sound rips from their chest like the scream of a hurricane, echoing deep into the night. I’ve seen so many faces that they blur together, morphing into an identical shadow of grief. Moss grows over headstones, erasing names that were once spoken with love. Every person that enters here has no peace. There is no peace in grief and isolation. 

​

But I’m waiting. 

​

The stone beneath me radiates with gentle warmth, absorbed from the heat of the day. The wind carries an autumn chill, rustling orange leaves that cling to the bare branches. Colours of candlelight dusk tint the sky, the blanket of night being slowly dragged over. I shut my eyes, rolling onto my back. It’s not peaceful. Peace is not a word to describe this place. But it’s quiet. Lifeless. 

​

​

“You see that, boy?” He grinned. He pointed towards the horizon, silver hair falling over his shining eyes. “That’s a mighty fine sunset if I ever saw one. Wow, look at those colours.” He laughed, leaning back in his chair. 

​

“You say that about every sunset, Dad.” She rolled her eyes, but there was the touch of a smile on her lips. 

​

“It doesn’t make it any less true, Missy. Don’t make it any less true.” 

​

​

The howls of the wind tear through the night, scattering browned leaves and wilted petals. The sun has vanished beneath the horizon, and not even the stars decorate the sky. Clouds float over, dimming the glow of a half-moon. My chest aches and my head feels heavy. There is no hope for comfort tonight. It is cold. I am alone. 

​

The silence of the graveyard is broken by the crunching of gravel and leaves underfoot. It’s not uncommon for mourners to visit in the night. Some only grieve when there’s no one to see them cry. I’m here, of course. But they can’t see me. None of them can. 

I watch as they walk, fingers intertwined. They’re faceless voids, carrying flowers against their chests. A small teddy bear dangling from their shaking hand. 

​

~

 

“Hey Dad, look what I found.” She called, running down the stairs. I perked up, my tail thumping against the wooden floor. She was holding a quilted bear with colourful stitching, holding it out for him to see. 

​

He stared, taking it with a laugh, “Why, it’s Bobo! God, I remember how much you used to love this thing.” His wrinkled fingers stroked the smooth, faded fabric. “I remember when your mother was stitchin’ him up for you. You were only small.” 

​

She smiled, nodding, taking the bear as he put an arm over her shoulders, “I miss her.” She whispered, wiping the dust off the bear's eyes. 

​

“I know. I miss her too.” 

​

~

 

I turn to the toy that leans against the headstone. One of his ears hangs from his head, the colourful patches that gave him life now faded and moulding. The pink button eyes stare with love as I nuzzle into him, seeking comfort in his smell. 

​

Not even Bobo’s damp scent blocks out the stench of grief as it wafts over. The couple kneels at a grave only a few metres away, the ground beneath them still dirt. The grave is covered in flowers and pictures, a reminder of the life lost. But in a few days, the flowers will start wilting in the cold. The rain won’t show mercy to the paper notes and photos left behind. All that will be there in a few years is the headstone, moss covering yet another name in this graveyard. The weight in my chest grows as the sobbing starts. It starts as a catch of breath among the tears. But grief digs in claws, turning small hiccups into sobbing raw with loss. I'm dragged down with every step as I walk over, trying to rest a paw on their trembling shoulder. 

​

Please, don’t cry, I whine. The sound doesn't reach them as they grieve, tears dampening the ground. One of them inhales sharply, voice shaking and broken as they beg to the night, “Give him back. Give us back our baby boy.” 

​

​

Cameron Everett 

“If love could have saved you, 

you would have lived forever” 

​

​

The words are engraved into a plaque, hidden beneath the masses of flowers. A statue stands in place of a headstone, two featureless figures holding a child in their arms.

 

 

He was pacing the room, hand trembling as he rang the number again. I was lying on the couch, unable to sleep. He was anxious. It was late. He was usually asleep by now. But Missy wasn’t home. 

​

“Missy? Missy, come on, pick up…” he mumbled, glancing at the clock again. The light in his eyes was dimmed. A vehicle rumbled in response as I barked and rushed to the door. “Missy? Oh, thank god.” He laughed in relief, walking to the door. A harsh mix of scents from the other side burned my nose. It wasn’t Missy. 

​

Colour drained from the house as red and blue flooded through the door. He froze at the sight of the policewoman. I growled at the creature standing behind her. Our first meeting. 

​

“There’s been an accident.” 

 

​

The night was growing colder, but their tears showed no sign of stopping. The breath of the wind was bitter, tearing petals from the flowers. Even I’m desperate, trying to paw at their shadowed clothing. You need to rest, I think desperately, glancing at the moon in the sky. It had crawled its way from one horizon to another. 

​

"We should go," One says softly. His voice is hoarse, fragile with emotion. The other nods, shadowy strands of hair falling across her face. She reaches to place the bear among the flowers, hesitating before withdrawing her hand, tightening her grip. They both slowly stand from the ground, falling into an embrace. 

​

"Momma?" I whip my head around to see a young boy, standing a few feet away. His skin is translucent, emitting a ghostly glow. The jumper he's wearing is vibrantly striped. His soft brown eyes flicker in surprise as he sees me, but quickly turns to the sobbing couple. Cameron. He isn't a hollow void of grief like them. He's a soul. He can see me! 

​

“I want him back,” His mother sobs, her voice cracking. 

​

“I know,” his father whispers back. He begins to guide her towards the exit, the shadows surrounding them fading with every step. I can see the burden they carry shrinking as they near the gate, their faces relaxing with a sense of closure. Peace. 

​

“Wait!” Cameron cries, reaching out a small hand after them. They keep walking. Cameron stares helplessly, tears rolling down his pale face as they get in their car. 

 

No, wait, hold on! It’s ok! I think, licking the tears off of his face. His eyes widen and crying ceases, a look of surprise in his eyes. I run back and grab Bobo in my teeth, his eyes never leaving me. I place Bobo on the grass and nudge it towards him. His gaze flickers, thinking as he stares. When he bends over to pick it up, his fingers pass through, leaving Bobo untouched. I sit down and watch, my tail wagging in excitement. I have a friend. 

​

He looks at me before trying again. This time, he grasps Bobo’s limp body, smiling with baby teeth as he hugs the bear tightly. “Teddy.” He murmurs lovingly. 

​

​

His sobs echoed through the empty house, body shaking as he hugged the bear to his chest. He rocked himself on the couch, tears dripping onto my head. I nuzzled into him, to get his attention. Something had happened to Missy. 

​

“My girl,” he wept. His voice strained like he was hurting. The colour had drained from him and the house, now a blur of grey. His eyes were shiny, but broken.“My little girl. My sweet little girl.” 

​

~

 

My head rests in Cameron's lap, listening to him mumble as he plays with Bobo. We're sitting on my bed of stone as I keep my eyes half open, feeling as Bobo dances on my head and Cameron sings quietly. Bobo can only keep him distracted for so long. He’s bound to start crying for his parents. But it’s ok. I’ll look after him. 

 

I haven’t met many souls. Grim usually takes them away before I can. They’re drained of colour and missing pieces, carrying burdens they've never let go. I’ve seen them grieve with their families, repeating broken apologies and begging to be seen. They don't know what to do with themselves when their families leave. They can't follow, so they wander, lost. Abandoned. Sometimes I follow them. Sometimes they sit with me. They tell me their names, about their families. Some remember how they died, others can’t accept it. I lift my head and lick Cameron's face, earning a young laugh. He’s too young to know death. 

​

Cameron shivers against the biting wind. His shoulders slump, rubbing his eyes. It’s ok, I’ll keep you warm, I want to tell him, nudging him to lie down. I know sleeping atop a grave isn’t comfortable, but it’s mine. I feel safe on my bed of stone. 

He shivers in his sleep, tightening his hold on the bear. I can’t watch him forever. Grim will come for him; he doesn’t like leaving souls behind. Still, I’ll look after him. He’s bright and colourful. He isn’t sad like the others. He smiles and laughs. It’s nice hearing someone laugh again. It’s nice not being alone. 

 

~

 

“Hey boy, wanna go for a drive?” 

The words made me scramble to my feet, jumping on him in excitement. It’s been months since we’ve gone out. The house is quiet now. He only cries or sleeps, sometimes watching me play outside. I run to the door, my tongue hanging from my mouth. He laughed, eyes wrinkling at the corners as he picked Bobo up off the couch, examining him with a sad smile. “Let’s go visit Missy.” 

 

My steps felt light as we left, sun shining on my fur. He smiled, swinging the car door open, “Come on boy, in you get!” I ran and jumped onto the seat, wagging my tail and panting. The car smelt strange. Missy’s car smelt of dust and food. 

​

The car rumbled to life and I stuck my head out, wind blowing through my fur and whipping around me as we drove. People walked on the footpath, laughing in the sun. It was a good day. The car pulled to a stop. The air was colder than before. A large building towered over us. I’d seen it before, but I’d never been inside. He called it a church. 

​

“Come on!” He called, walking past the building. I ran to catch up, looking around. There's large slabs of stone sticking out from the ground, some covered in flowers. As I ran to sniff one, he called out behind me, “Watch the headstones.” 

​

He stopped in the far back corner, underneath a large, blooming tree. The headstone he stood in front of is bare, except for an already dead bouquet of flowers. 

​

​

Missy Harrett 

“Dearly loved daughter, 

A life stolen too soon” 

​

​

He kneeled, placing Bobo against the headstone as I sat next to him. His gaze was locked onto the carved inscription. His eyes began to glisten as he inhaled sharply, "I can't do this." His voice cracking under the pressure of emotion. 

 

Don't cry, I whine, licking his face. He turned to me, the same sad smile on his lips as he hugged me, running a hand through my fur. 

​

"You're a good dog, aren't you, Oakley?" He whispered. I licked the tears off his cheek, making him laugh. He took a deep breath as he let go, standing to his feet. 

​

“Alright boy, sit.” He pointed to the slab of concrete, covering the dig site. As I sat, he scratched my head, wiping the tears from his eyes. “Stay. I’ll be back.” He took a step away, tears in his eyes, “I’ll be back. Just wait with Missy.” 

​

“I’ll be back.” 

​

And then he was gone. 

​

~

 

The colours of a nearing sunrise tint the edges of the sky. The grass is covered with dew, a bitter chill travelling through the graveyard. Cameron is still curled up, clutching Bobo. Ringing breaks the silence as the church bell begins to swing. A dark hooded figure appears at the end of the path, his eyes meeting mine. He’s here. 

​

With each step I take, my heart becomes heavier, the ache in my chest growing. Colours melt away and gravel digs into the pads of my feet. Still, I walk forward, till I’m sitting right in front of Death himself. 

​

Do you have to take him? I tilt my head, staring up at him. I can almost hear the loneliness creeping back once more. 

​

“You know you can come with us.” His voice rumbles like distant thunder, reaching out a bony hand to scratch my ear, “Nothing is keeping you here.” 

​

I’m waiting. 

​

“Waiting for him to come back?” He asks, a hint of doubt in his voice. I pause, thinking about the answer. 

​

No, not him. The left behind ones. I turn my head to glance back at Cameron now. He’s standing and watching us, clutching Bobo to his chest. I don't want them to feel alone. 

​

“Well, when you’re ready.” He stands, brushing himself off. Beneath the shadows of his hood, I catch a glimpse of a smile. “I’ll be waiting.” 

​

He lifts his eyes to the young boy, standing at the back of the graveyard. Cameron’s grip tightened on Bobo. Raising a hand, Grim bends one finger, gesturing to come closer. And after a moment, he listens, slowly making his way down the path. 

​

Grim crouches down to Cameron's level, holding out his hand. He speaks gently, as if he might startle him, “Are you ready, little crow?” 

​

Cameron hides his face behind Bobo, eyes wide as if Grim might eat him whole. Cautiously, he reaches out, his small hand curling around Grims bony finger. "Is your friend coming with us?" Grim's eyes settle on Bobo, a spark of recognition in them. My heart twists in my chest, dread flooding through me. Everything in me wants to say no. But the fear in Cameron's eyes fills me with guilt. He can keep it. Grims eyes meet mine as he stands. Approval. 

​

I follow as they walk towards the large steel gates of the graveyard. Cameron glances back at me with uncertainty. I try to smile, my tongue hanging from my jaw. He’ll be ok. I’ll be ok. 

​

“Bye puppy!” He calls, waving with Bobo’s paw. It’s a simple gesture, but I think I might cry. The sun begins to peek over the horizon, bathing Grim and Cameron in a warm glow as they step through the gate. Regret hits me as I break into a sprint. Wait-! 

​

But then they vanish. Gone as the sun rises on a new day. There's no trace of Camerons rainbow striped sweater or Grims dark cloak. My vision blurs and I can feel that hollow ache in my chest, the lump in my throat. But they’re gone. And I’m here. 

​

​

​

I’ll be waiting here on my bed of stone.

About the Author

Juniper Elder is a young fiction author located in New Zealand, struggling to get her nose out of other people’s books and into her own. A soon-to-be high school graduate, her works mainly consist of short stories, poetry, and planned novels in the Sci-fi and mystery genres. She currently has one story in the works, both too much and too little time on her hands and enjoys writing blog posts of information about reading and the writing craft.

“Love in the Universe,, 

By Claudia Wysocky
Poetry

Love is a fissure in the universe; 

  It eats at the fabric that holds the parts

  In any form together. It shatters them in two. 

​

It is a Peculiar Sin, what destroys. 

  The love said to be true is found in our own fear of ourselves,  

     Which uses us up and empties out our worlds. 

  Things are not at all how they appear, 

      and where were we before we were? 

Love and Death—a pair of strange and dazzling lights. 

​

Tho' we have split, none but my eyes see it— 

For if we once were one, must each be dead. 

  An unparalleled, brand new chemistry that 

      reaches out from the night and clings upon me, 

And as long as I am here, I feel it say— 

  Return to me. Return to me. 

I am not entirely, yet consumed by you. 

  I have survived you, have escaped you— 

Continually.

About the Author

Claudia Wysocky, a Polish poet based now in New York, is known for her ability to capture the beauty of life through rich descriptions in her writing. She firmly believes that art has the potential to inspire positive change. With over five years of experience in fiction writing, Claudia has had her poems published in local newspapers and magazines. For her, writing is an endless journey and a powerful source of motivation.

A Dying Girl

By Abigail Addae
Poetry

The ocean is drowning me

I did not learn how to swim when I was younger

The bitter taste of the sea salt makes my head spin

I’m saying goodbye to my life

 

I see my life in a kaleidoscope

Ever-changing opinions are too much for my little mind

Combusting to create a vivid tapestry of experiences

 

My little body sees the world through a rose-tinted hue

Painting the world through a soft light of roses and tulips

Colours combined in a prism that collaspes

Now I’m drowning; choking on my assumptions of the world around me

 

My mind is an orchestra of loud thoughts

The ocean hugs me far too tight for me to scream help

Little me is crying; but the tears don’t go down my face

My perfect lens of perception is broken; the shattered glass pierces my

little girl heart

About the Author

Abigail Addae is a passionate writer who loves to write. She has been writing spy fiction for classmates since she was little, and hopes to write a poetry or spy novel when she is older. She loves playing the piano, the colour pink, listening to music, and spending far too much time online.

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